This small accessible book is a very sane and very good introduction to a much controverted subject.
I write this review as an observer of rap, and admittedly not as a devotee. In fact, I recently told a friend that if I write about it too much, I will undoubtedly commit a howler or two, like calling it hop hip. So what is my perspective on it? Besides being the perspective of a non-expert, I think it would be most accurate to call me an appreciative and supportive non-fan. You can read some of the reasons for that here in a post called Dear XYZ.
This book, Does God Listen to Rap?, by Curtis Allen, can be divided into two basic sections. The first describes the origins of this form of music, giving us the history of it. Where did it come from, and why did it catch on?
“So let’s be honest. Rap isn’t exactly rooted in the rich soil of holiness” (p. 37). Having established in that first section that the origins of rap were pretty tawdry, Allen goes on to show in the second part of the book why — scripturally — that shouldn’t really matter to us, at least not as a stand-alone argument. He gives thoughtful arguments from Scripture on why the genetic fallacy is in fact a fallacy when it comes to music. I have read a lot of cultural analysis, and Allen comes to the subject in fresh ways. For one example, he develops one argument from the fact that all music came from the line of Cain (Gen. 4: 17-21), beginning with a gent named Jubal. We don’t know what his stage name was — perhaps JubalZ.