The Clichéd Rebel

“The authentic man, in the romantic conception, is he who has cut himself free of all convention, who acknowledges no restriction on the free exercise of his will. This applies as much to morals as to aesthetics: and artistic genius becomes synonymous with waywardness. But a being as dependent on his cultural inheritance as man …

Parasitic Creativity

“The problem of upholding virtue and denouncing vice without appearing priggish, killjoy, bigoted, and narrow-minded has become so acute that intellectuals are now inclined either to deny that there is a distinction between the two or to invert their value. There is no higher word of praise in an art critic’s vocabulary, for example, than …

#NAME?

“Yes, but the Church at large long ago gave up talking about the Lord Jesus Christ, His efficacious death, His conquering cross, and His glorious triumph over death, grave, and sin, as well as over our miserable and filthy little rag-tag band of self-justifying isms — alcoholism, sexaholism, rageaholism, and can’t-be-nice-to-my-wife-a-holism” (Mother Kirk, p. 219).

Inverted Sentimentality

“The idea that, after an event such as the Great War, an artistic celebration of the world is no longer possible is nonsense, compounded of strangely twisted romanticism and inverted sentimentality . . . But this is simply a pose: supposing an Adorno-like figure had said, ‘After the war, sexual pleasure is no longer possible,’ …

The Merry Puritans

“To [Cardinal Allen], as to all the Roman writers, Protestants were the very reverse of ‘puritans’: they were ‘soft physitions’ . . . against whom he must assert a doctrine admittedly sterner and darker, ‘the behoulding whereof must neades ingender som sorowe and sadnesse of minde’ and even (such is our ‘frailetie’) ‘a certaine bitter …