How the Media Cuts Our Meat for Us . . . Into Really Tiny Pieces

“The perception of a news show as a stylized dramatic performance whose content has been staged largely to entertain is reinforced by several other features, including the fact that the average length of any story is forty-five seconds” (Neil Postman, Amusing Ourselves to Death, p. 103).

Typographic Man

“Almost all of the characteristics we associate with mature discourse were amplified by typography, which has the strongest possible bias toward exposition: a sophisticated ability to think conceptually, deductively, and sequentially; a high valuation of reason and order; an abhorrence of contradiction; a large capacity for detachment and objectivity; and a tolerance for delayed response” …

But Not the Formality of an Open Mind

“Obviously, my point of view is that the four-hundred-year imperial dominance of typography was of far greater benefit than deficit. Most of our modern ideas about the uses of the intellect were formed by the printed word, as were our ideas about education, knowledge, truth and information. I will try to demonstrate that as typography …

Take This Blog, For Instance

[Speaking of McLuhan] “I believed then, as I believe now, that he spoke in the tradition of Orwell and Huxley—that is, as a prophesier, and I have remained steadfast to his teaching that the clearest way to see through a culture is to attend to its tools for conversation” (Neil Postman, Amusing Ourselves to Death, …

Medium as Message

“In this sense, all culture is a conversation or, more precisely, a corporation of conversations, conducted in a variety of symbolic modes. Our attention here is on how forms of public discourse regulate and even dictate what kind of content can issue from such forms” (Neil Postman, Amusing Ourselves to Death, p. 6).