Different Costumes, Same Trick

“In [Sinead] O’Connor, this shtick is touted as a pure product of her brooding Irish soul. In Nirvana, it is praised as a distillation of Seattle despair. In fact, it is a cliché of expressionist theater, passed down through performance art (via Yoko Ono) to punk” (Martha Bayles, Hole in our Soul, p. 318).

Just Plain Screaming

“It’s ironic how some of those [lefty] elders, after years of hating heavy metal, learn to love it the moment a metal group becomes ‘intelligent,’ meaning politically correct. Among hardcore bands, the same advance in ‘intelligence’ is achieved whenever a group switches from just plain screaming to screaming about current events” (Martha Bayles, Hole in …

But What a Choice

Marvin “Gaye is a special case, of course. But the same forces that propelled this troubled artist into the ooze made ‘love men’ out of many other talented musicians . . . The assumption was that any woman in her right mind would prefer the love man’s smooth-talking, satin-sheets-on-the-waterbed approach to the ear-blistering screeching of …