Special Effects, Dry Ice, and Lasers

“Instruments continued growing in size and complexity. Everything else about music grew as well, as colossalism transformed the art. Some theaters seated up to forty thousand people. In one play a thousand mules pranced about the stage. Concerts featured a hundred blaring trumpets, accompanying thousands of actors and acrobats. ‘Not being able to make it …

Metamorphing

“In our entertainment-crazed times, we have to take care not to use stories that have been transformed into something else. I call the process ‘metaphor-morphing,’ or ‘metamorphing’ for short. In this process the basic metaphors of story built into the world by God are reversed. For example, the serpent in the Garden was a dragon, …

Guess You Kinda Had To Have Been There

Merold Westphal has another essay in this book entitled “Laughing at Hegel.” I read the whole thing. “Christmas Humpheys says, ‘There is more honest ‘belly laughter’ in a Zen monastery than surely in any other religious institution on earth’ — and the faithful chant before Maitreya, the Messianic Buddha whose avatar is a clown: When …

Easter All the Time

He is risen. He is risen indeed! On this day, two thousand years ago, the Lord Jesus rose from the dead, conquering it forever, throwing down the collected might of all the principalities and powers, releasing the redeemed human race from its fear of death, and reversing the power of death that had dominated our …

Sensate Frenzy

“As ideational and integral art are static in their inner nature, sensate art is vividly, even violently dynamic. The phenomena of the sensate world is always changing. Light and shadow vary, color and form shift in ceaseless flux. Human subjects, too, show incessant variation. The art must be dynamic simply to follow its subjects. Equally …

Torn

“This is the paradox of the human self, the mysterious unity of self-centeredness and other-centeredness in all human beings. Even though the two drives go in opposite directions and can never become complementary, they are always combined and their combination binds people inextricably to one another, even as it tears them apart internally and externally. …

If We Had Some Cheese

Westfold argues that Derrida is some kind of a natural law theorist. We can ascertain this from the title of chapter 11, “Derrida As Natural Law Theorist.” Westfold draws a distinction between logical positivists and postmodernists, a distinction that he considers important. The logical positivists said of their own position that it destroyed all ethics …

Art Goes to Seed

“In the sensate style, techniques become elaborate, complex, highly skilled, often showy. They are designed to impress, even to stun viewers. The means used to produce sensate art are varied and enormous in scope. Often a work’s mere size—its hugeness—passes for quality; the bigger a statue or building, the better it is thought to be. …