How Adam Ate the First Orange

“[C]ontemporary research reveals that music possesses universal characteristics that mark it as a similar behavior present in all human societies. For example, the principle of ‘octave equivalence’—the treatment of two pitches, one with a frequency twice that of the other, as the same pitch sounding at different octaves—is ‘present in all the world’s music systems,’ …

Tell Us What You Really Think, John

“[T]hose concerning whom I am about to speak insinuate themselves in the name of the gospel so tha by indirect whispers they may alienate whomever they can from Christ. Those people in fact consist partly of hungry vagabonds who, unless you fill their bellies, will bury you under wagonloads of calumnies, partly of worthless and …

Police Forces of Modernity

One more comment on Who’s Afraid of Postmodernism? The problem with “robust and confessional dogmatism” in a postmodern world is this. There are only a limited number of options here, and all of them but one are variations of what Leithart identifies as “Christianity.” As he uses the word in his book Against Christianity, Christianity …

Catching a Blunder

My thanks to Prosthesis, who caught a significant blunder in my review of Smith’s book on postmodernism below. I quoted Smith summarizing Foucault, and then interacted with that as though it were Smith himself. Mea maxima blunda, and I have corrected the problem. My apologies to all my readers, and particular apologies to Smith for …

Come On Baby, Light My Fire

“Nietzsche, in contrast, recommended a music that inflames the passions, and he seeks to use such music with a view to overwhelming or silencing reason . . . In sum, for Nietzsche, when we experience the Apollonian we behold images, but when we experience the Dionysian—that is, when we experience music—we feel forces” [Carson Holloway, …