“Nietzsche, in contrast, recommended a music that inflames the passions, and he seeks to use such music with a view to overwhelming or silencing reason . . . In sum, for Nietzsche, when we experience the Apollonian we behold images, but when we experience the Dionysian—that is, when we experience music—we feel forces” [Carson Holloway, All Shook Up: Music, Passion, and Politics (Dallas: Spence Publishing, 2001), pp. 98-99].
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