Chesterton “fought unbelief effectively, but he always fought like a cavalier and never like a thug with a wart on his nose.”
Chestertonian Calvinism, p. 35
Chesterton “fought unbelief effectively, but he always fought like a cavalier and never like a thug with a wart on his nose.”
Chestertonian Calvinism, p. 35
“If the humility does not end in gladness and triumph, then the humility did not begin (really) in humility at all. Humility submits, and therefore does not insist on groveling permanently.”
Chestertonian Calvinism, p. 34
Some of you have noticed how incomplete this Cluster was. This was a function of a cancelled flight from Heathrow back to the States. Originally, I was going to finish this when we got back from our Israel trip, but alas. We got back a day later, and the Content Cluster much shorter. Ah, well. …
Sea of Galilee from our hotel room . . . We landed in Tel Aviv in the morning, prepared to see what countless pilgrims before us have seen. There are many things to see, of course. Tel Aviv is right next to old Joppa, where Peter saw the vision of the unclean animals in the …
“But whenever God delivers His people in any remarkable way, as the years go by, whatever new wineskin was involved in it will turn gradually into an old wineskin.”
Chestertonian Calvinism, p. 32
I thought it would be best if I informed you beforehand about the changes you will notice over the next couple of weeks. Those changes will be largely driven by the fact that I will not be here. My bride and I are going off on vacation, and will be gone for a couple of …
If you are in the area, come and join us for an evening of laughter and music.
“What did painting the medieval period take for its subjects? Well, pretty much anybody with a halo. The holy family, Madonna and child, the twelves apostles, and so on. Now do not take me wrong. I have no problem with art treating biblical themes. That did not go away with the Reformation. But what came in as a result of the Reformation? The Dutch realist painters introduced us to the glory of the mundane. A girl reading a letter, a woman making lace, another woman pouring something from a jug, a girl with an earring, another girl smirking, still life table settings, an anatomy lecture with a cadaver. In short, art came down and dwelt among the people . . . just as the Lord had done.”
Chestertonian Calvinism, pp. 27-28