“Although America’s white rock ‘n’ rollers lacked the musical sophistication found in jazz, they had a pretty clear idea of where they stood in the cultural hierarchy. Carl Perkins put it best when he said: ‘Rockabilly’s simple music but it’s not that easy to play.’ By this light, the Beatles’s true significance is not that …
More Intertwined Than Commonly Assumed
“In the end Marcus takes an oddly bifurcated view of Afro-American music—a view that is, unfortunately, quite prevalent today. On the one hand, he praised ‘black music’ as a source for rock ‘n’ roll, depicting Presley as the Prometheus who stole its spark, passing it to the white race as it languished in frigid Puritanism. …
Wonder Why They Do That?
“Both friends and foes pay lip service to the ‘gospel’ contribution to rock ‘n’ roll, but when it comes to appreciating the larger cultural significance of the music, they join forces in forgetting all about religion. Instead they focus almost exclusively on sex—a focus that distorts both the music and its meaning” (Martha Bayles, Hole …
And Jerry Lee Is Jimmy Swaggart’s Cousin
“The most unappreciated fact about the three most galvanizing performers in early rock ‘n’ roll—Presley, Jerry Lee Lewis, and Little Richard Penniman—is that they all grew up in the Pentecostal church. Presley and Lewis were raised in the predominately white Assemblies of God, and Penniman in a variety of black Holiness and Church of God …
Hoochie Koo
“Young whites hired R&B bands for high school dances and frat parties. Then the craze spread to the North, where it was picked up by an enterprising DJ in Cleveland named Alan Freed, who decided to make a splash with an R&B radio show aimed specifically at white youth. To mask the racial origins of …
Commie Criticism
“By insisting that most art, high and low, exists for the sole purpose of reinforcing bourgeois-capitalist consciousness, the ‘critical theorist’ gets to be a revolutionary. But by dictating the handful of exceptions that achieve true ‘negation,’ he also gets to be a snob” (Martha Bayles, Hole in our Soul, p. 78).
Isaiah 5:20
“But it [perverse modernism] did foster a climate in which artists were seen, by themselves and others, as implacably opposed to the values of ordinary people; and in which contempt for morality was seen, by elites and common people alike, as a mark of superiority” (Martha Bayles, Hole in our Soul, p. 45).
The Genesis of the Cape and Beret Problem
“For an incandescent wit like Wilde, it was possible to express that contempt with grace and skill. But the majority of decadents were not that brilliant, and the best they could do was define art in negative terms, as the absence—or better still, the inversion—of other values, especially moral ones. To establish one’s creative bona …
Two Ways to Cook
“Like New Orleans cooking, New Orleans jazz derives its power from deftly balanced ingredients and carefully controlled heat” (Martha Bayles, Hole in our Soul, p. 29).
Beast of Burden
“The real break came in the late 1960s, when the counterculture went sour, and popular music began attracting people who were less interested in music than in using such a powerful medium for culturally radical purposes. The harbingers of this break were the Rolling Stones, who relished the blues but did not hesitate to make …