“It’s worth noting that, for all their reputation as street rebels, the Sex Pistols rarely ventured beyond the ‘playpens’ of the art colleges” (Martha Bayles, Hole in our Soul, p. 309).
Rock Journalism
“Much of [Zappa’s] satire was well aimed, as when he famously defined rock journalism as ‘people who can’t write interviewing people who can’t talk for people who can’t read’” (Martha Bayles, Hole in our Soul, p. 292).
Art in a Can
“The high point came in 1961, when an Italian artist name Piero Manzoni sold ninety cans of his own feces (each weighing thirty grams and marked ‘Made in Italy’) to art patrons willing to pay the same rate as the current price of gold” (Martha Bayles, Hole in our Soul, p. 288).
But What a Choice
Marvin “Gaye is a special case, of course. But the same forces that propelled this troubled artist into the ooze made ‘love men’ out of many other talented musicians . . . The assumption was that any woman in her right mind would prefer the love man’s smooth-talking, satin-sheets-on-the-waterbed approach to the ear-blistering screeching of …
Pseudo-Satanism in the Hedge Row
“In their ongoing effort to be naughtier than the Beatles, the Rolling Stones began making satanic allusions in 1967 . . . Jimmy Page, the lead guitarist of Led Zeppelin, was a Crowley fan even before he accepted the Lucifer Rising job . . . By this route Satanism became heavy metal’s semiofficial religion, observed …
In Other Words, Not Breaking On Through to the Other Side
“Morrison never made the sustained effort needed to write even passable free verse, and his emotional range—from petulant narcissism to dead-serious angst—is far narrower than that of the least of his poetic idols . . . booze became the formaldehyde in which his adolescent hangs-ups were preserved” (Martha Bayles, Hole in our Soul, p. 238).
Ain’t It the Truth?
“Like free jazz, art rock proves once again that total freedom is enabling for a handful of geniuses, but disabling for everyone else” (Martha Bayles, Hole in our Soul, p. 222).
That, and Singing Through Your Nose
“The truth is that Dylan, like most of his generation, learned most of his folk music from records . . . But to folkies bewitched by the blues, roughness epitomized authenticity” (Martha Bayles, Hole in our Soul, p. 212).
Even At Their Saltiest
“Add the guitar-centeredness of the rest of early rock, and you have a significant shift: away from an emotionally expressive vocalism and toward and athletically aggressive instrumentalism. With hindsight, we can see some rather striking sexual connotations in this shift. The controlled vocalism of genuine blues suggest power, intensity, and energy being harnessed—as opposed to …
Blues Authenticity
“The irony, of course, is that the Stones wrapped themselves in the cloak of blues authenticity while rejecting the crowd-pleasing manner that is an essential part of every bluesman’s stock in trade” (Bayles, Hole in our Soul, p. 195).