Commie Criticism

“By insisting that most art, high and low, exists for the sole purpose of reinforcing bourgeois-capitalist consciousness, the ‘critical theorist’ gets to be a revolutionary. But by dictating the handful of exceptions that achieve true ‘negation,’ he also gets to be a snob” (Martha Bayles, Hole in our Soul, p. 78).

The Genesis of the Cape and Beret Problem

“For an incandescent wit like Wilde, it was possible to express that contempt with grace and skill. But the majority of decadents were not that brilliant, and the best they could do was define art in negative terms, as the absence—or better still, the inversion—of other values, especially moral ones. To establish one’s creative bona …

Beast of Burden

“The real break came in the late 1960s, when the counterculture went sour, and popular music began attracting people who were less interested in music than in using such a powerful medium for culturally radical purposes. The harbingers of this break were the Rolling Stones, who relished the blues but did not hesitate to make …