Where We Got All the Uber-Goobers

“It took Nietzsche to philosophize out of Wagner’s music a program for cultural revolution that would shake the coming age to its foundation. The twentieth century was to become the proving ground for Nietzschean philosophy in its various permutations. There were the Nazis, and then there was the global cultural revolution of 1968-1969, and then …

Mark the Music

“For the next one hundred fifty years, the West would post the Liebestod question again and again in various ways, from Nazism to Woodstock, and never be able to come up with an answer. In the process, enormous amounts of cultural patrimony were thrown overboard. Classical music, freed from patriarchal melody by Wagner’s chromatic modulations, …

Musical Pornography

“To modulate the notes unceasingly from one key to another, as Wagner’s chromaticism did, was tantamount to blunting the emotional focus; to lead them away never to return to the dominant note gave the feeling of tumultuous and unsatisfied passion, a passion that never got resolved. From a human perspective, there was generally only one …

The Real Problem with “Kill the Wabbit”

“The attraction was essentially erotic. This music bespoke emotion liberated from reason. In the musical realm, the assault on tonality corresponded to an assault on sexual restraint in the moral realm and an attack on the social order in the political realm. Wagner could achieve all three, which would correspond to the deepest needs he …

Wagner and Cultural Revolution

“Wagner was as committed as ever to the overthrow of existing conditions. However, the scope of his rebellion had changed. His desire for change now went deeper than the political process in terms of its end and beyond the political process, beyond even revolutionary politics, in terms of the means to bring that revolutionary change …