Why Ad Rates for Super Bowl Halftime Should Be Inexpensive

[Michael Medved] “points out the hypocrisy of those in the dream business who proclaim that movies don’t influence belief or behavior while charging millions of dollars for advertising and product placements in movies and receiving awards and prestige for promoting trendy social agendas.” (Brian Godawa, Hollywood Worldviews, p. 17).

The Magical Comeback

“The American church has a relatively short history of assuming that true Christianity disappeared when the last apostle died and did not reappear until the camp meetings on the Kentucky frontier in 1799. Some, more moderate in their views, do not think the church disappeared until the third or fourth century, but it always seems …

Deconstructing Television

“During the long millennia of material scarcity, the customer’s time was what economists call an externality, like air or water. It was an economic asset so readily available that it escaped economic accounting. In the old economy and a holdover in the new, a key rule of commerce was: Waste the customer’s time. This was …

See To The Mash

“It is undeniable that modern liberal regimes have had tremendous success in providing security and prosperity for their citizens. Nevertheless, few of even their most ardent proponents would dare to assert that the political life of such regimes is noble or beautiful. It is harsh, but by no means unfair, to say with Richard Hooker …

How Adam Ate the First Orange

“[C]ontemporary research reveals that music possesses universal characteristics that mark it as a similar behavior present in all human societies. For example, the principle of ‘octave equivalence’—the treatment of two pitches, one with a frequency twice that of the other, as the same pitch sounding at different octaves—is ‘present in all the world’s music systems,’ …

Come On Baby, Light My Fire

“Nietzsche, in contrast, recommended a music that inflames the passions, and he seeks to use such music with a view to overwhelming or silencing reason . . . In sum, for Nietzsche, when we experience the Apollonian we behold images, but when we experience the Dionysian—that is, when we experience music—we feel forces” [Carson Holloway, …