Comments on Comments

This last week, after there was a comments pile-up here in the discussion of the Ligonier situation, a reasonable question was raised by David Bahnsen, which was, why have a comments feature at all? Ironically, my wife and I had just been talking about the same thing, and then after the question was raised here, …

Artistic Responsibility?

“In the highest aesthetic circles one now hears nothing about the artist’s duty to us. It is all about our duty to him. He owes us nothing: we owe him ‘recognition,’ even though he has never paid the slightest attention to our tastes, interests, or habits. If we don’t give it to him, our name …

A Brother Thing

“We instinctively tend to regard the fraternal relationship as an affectionate one; yet the mythological, historical, and literary examples that spring to mind tell a different story: Cain and Abel, Jacob and Esau, Eteocles and Plyneices, Romulus and Remus, Richard the Lionhearted and John Lackland. The proliferation of enemy brothers in Greek myth and in …

Good to be Wary

“There is no such thing as truly ‘pure’ violence. Nevertheless, sacrificial violence can, in the proper circumstances, serve as an agent of purification. That is why those who perform the rites are obliged to purify themselves at the conclusion of the sacrifice. The procedure followed is reminiscent of atomic power plants; when the expert has …

The Pale Galilean Still Conquers

“Max Weber’s interpretation is rooted in Nietzsche’s reading of Judeo-Christianity as the resentment (ressentiment) of the weak against the strong, the slaves against their masters, the victims against their persecutors. The literal madness of Nietzsche’s attitude is that, close as he was to recognizing the truth of human culture, he willfully espoused its lie. He …

When Cartharsis Is Not the Main Point

“Irony is not demonstrable, I repeat, and it should not be, otherwise it would disturb the catharsis of those who enjoy the play at the cathartic level only. Irony is anticathartic. Irony is experience in a flash of complicity with the writer at his most subtle, against the larger part of the audience that remains …