But What If Metaphor Is Ultimate Truth?

“But, at the same time, no one should nervously imagine that this critique of the Enlightenment proceeds from any relativistic postmodern nonsense. The modernist and postmodernist share this one thing in common: They both hold, at bottom, that metaphor is meaningless. The modernist goes off to find meaning somewhere else, suitably formulaic, and the postmodernist …

Special Effects, Dry Ice, and Lasers

“Instruments continued growing in size and complexity. Everything else about music grew as well, as colossalism transformed the art. Some theaters seated up to forty thousand people. In one play a thousand mules pranced about the stage. Concerts featured a hundred blaring trumpets, accompanying thousands of actors and acrobats. ‘Not being able to make it …

Metamorphing

“In our entertainment-crazed times, we have to take care not to use stories that have been transformed into something else. I call the process ‘metaphor-morphing,’ or ‘metamorphing’ for short. In this process the basic metaphors of story built into the world by God are reversed. For example, the serpent in the Garden was a dragon, …

Guess You Kinda Had To Have Been There

Merold Westphal has another essay in this book entitled “Laughing at Hegel.” I read the whole thing. “Christmas Humpheys says, ‘There is more honest ‘belly laughter’ in a Zen monastery than surely in any other religious institution on earth’ — and the faithful chant before Maitreya, the Messianic Buddha whose avatar is a clown: When …

Easter All the Time

He is risen. He is risen indeed! On this day, two thousand years ago, the Lord Jesus rose from the dead, conquering it forever, throwing down the collected might of all the principalities and powers, releasing the redeemed human race from its fear of death, and reversing the power of death that had dominated our …

Sensate Frenzy

“As ideational and integral art are static in their inner nature, sensate art is vividly, even violently dynamic. The phenomena of the sensate world is always changing. Light and shadow vary, color and form shift in ceaseless flux. Human subjects, too, show incessant variation. The art must be dynamic simply to follow its subjects. Equally …

Torn

“This is the paradox of the human self, the mysterious unity of self-centeredness and other-centeredness in all human beings. Even though the two drives go in opposite directions and can never become complementary, they are always combined and their combination binds people inextricably to one another, even as it tears them apart internally and externally. …