A Mind-Bending Apologetic

The Hound of Heaven is premiering in London later this week at the Raindance Film Festival, and you can see the trailer for it here at The Hollywood Reporter. It is a short film, so it will not be releasing in the usual theater way. When it is available I will beat the drum here in such a way as to help you find out how to see it.Hound Heaven

This short film is remarkable in any number of ways, but the most remarkable thing about it is that it exists at all. A Victorian opium addict wrote a Victorian poem about all the baubles he had decided to pursue instead of Christ, and as he pursued them, he realized that he was being inexorably pursued. Bring this poem into a 21st century setting, have the pursuing hound of Heaven be represented by the rap artist Propaganda, mix in a hard series of surrealistic images, and you have a short movie that can speak across centuries.

When you consider the dilemma of mankind, you realize that there is nothing peculiarly Victorian about it — although the Victorians were full participants in this mess, just as we are.

Nate and Aaron rented an abandoned car dealership, built a subway tunnel in it, and a pool for the water shots, and a set house. My daughter Bekah designed the posters that were to line the tunnel, had them printed in Asia somewhere, just for kicks I think, whence they arrived just in time to be wallpapered up. Propaganda came up from California to give The Hound of Heaven his spoken word treatment, and did a fantastic job. Danielle Smith, an NSA student here in Moscow, gave a marvelous performance in capturing what it is like to run like a heroine in a horror flick. But the looming horror she runs from is . . . life.

I am not sure how many times I have seen it, but it stays powerful. We will let you know how to get it when it releases, so stay tuned — especially if you have any friends who are still running.

 

Chained MoonDanielleProp

Being Out of Place Doesn’t Mean Uncomfortable . . .

I had the pleasure of filling the pulpit this morning at All Souls in Lewiston, a church plant of Christ Church. We were joined there by IV Conerly, who was visiting, along with the Chocolate Knox and his delightful family. After the service IV gave us his recent (rap) album entitled The Unknown God. A little bit later, Nancy and I had our nice drive back to Moscow, and so we listened to our very first rap album together. Now I cannot claim that I rolled down the windows at intersections, in order to make the windows of the other cars throb, but I have to confess that I did at least think about it.

Roll Coal

I am like a turnip in the punch bowl.

Before making my (appreciative) comments, let me confess that I really am out of my element. I am like the owner of a Prius at a Rolling Coal conference. I am like Chris Rock at a Monster Truck rally. I am like Richard Dawkins at a soup kitchen testimony meeting.

The first thing is that it reinforced my earlier thoughts on rap. This was good work, and a great example of what I was talking about here. The second thing is that it was borne in on me how heavily trochaic this art form is. I like trochaic. And last, I am excited about how much opportunity lies before these guys. The fields are white unto harvest.

Obamamandias

With apologies to P.B. Shelley . . .

I met a traveler from bankrupt land
Who said: ‘One vast and hapless head of stone
Lies in the desert. Near it, on the sand,
Half sunk, a shattered website lies, still down.
That haughty look, and sneer of cold command,
And photo-op poses, a myriad!
Still cannot get it, overwhelmed by “things”
Like “If you like it, you can keep it. Period.”
And on the teleprompt these words appear—
“My name is Obamamandias, king of kings:
Look on my work, ye uninsured, and despair!”
Nothing beside remains. Round the decay
Of that colossal wreck, boundless and bare,
A once great health care system stretches far away.’

A Cycle of Pomes: Reflections

There once was a president-king
Who could do most any cool thing
Except writing code,
(His limits there showed,)
Now our health care is broke, in a sling.

There once was an Obamono-whiz
Whose health care rollout kinda fizz
Led. And it crashed
A new clunker for cash,
Because that is just what it is.

Envoi

There once was a man named Obama,
Who gave us all his health-o-rama.
He thought healthcare.gov
A gift from above,
But which we thought was just blunt force trauma.

Simply Beowulf

Beowulf Book

Well, I have to admit that I am kind of whipped up about our pending release of Beowulf. This was a project I was kind of chipping away on in the background, and then the need for a usable version for the new Logos Press curriculum arose. So I got things in gear, and finished the manuscript last fall.

It has been in production since, and is now officially and safely at the printer. With that in mind, Canon wanted to offer a promotion for those who preorder, and so here’s the deal. If you order before October 8 (the official release date is Oct. 15), you will get your copy signed by me, and free shipping. Sorry, the free shipping doesn’t apply to international orders.

Here are some blurbs from the cover, followed by a sample of the first eleven lines.

“I’ve long been waiting for a rendering of Beowulf by someone sensitive to its muscular verse, its palette of irony that ranges from grim understatement to barely suppressed hilarity, its profound humanity and Christian faith. I’m waiting no longer — Douglas Wilson’s is the one, far more faithful to the original than Heaney’s or Raffel’s, and conceding absolutely nothing to theirs in sheer dramatic force. I will be ordering it for my students forthwith.” — Anthony Esolen, translator of Dante’s Divine Comedy, author of Ten Ways to Destroy the Imagination of Your Child, and professor of English at Providence College

“Douglas Wilson’s Beowulf conveys with admirable clarity the poem’s narrative and general character, and his commentary helps the studious reader to see how the poem reflects a time of cultural conflict and change.” — Richard Wilbur, United States Poet Laureate (1987), two-time Pulitzer Prize winner, and Chancellor Emeritus of the Academy of American Poets

“It is obvious that Douglas Wilson enjoyed himself immensely in rendering this Old English epic into the alliterative verse form of the original, and as a reader I found that this enjoyment energized the text. Beowulf is a story par excellence, and the most salient trait of Wilson’s version is that it flows beautifully.” — Leland Ryken, professor of English at Wheaton College and author of The Christian Imagination, and the Christian Guides to the Classics series

We are calling it a new verse rendering, as distinct from a translation, and what that all means is explained in the introduction. But what I tried to do is give a contemporary sense of how the original Anglo Saxon poetry would sound in modern English. Here is a sample.

Hear the song of spear-Danes     from sunken years,
Kings had courage then,     the kings of all tribes,
We have heard their heroics,     we hold them in memory.
Shield Sheafson was one,     scourge of all tribes,
Took a maul to the mead-benches,     mangled his enemies.
He rose and in rising,     he wrecked all his foes.
A foundling at first,     he flourished in might,
A torrent of terror,     war tested his mettle.
So he bested and broached     the borders of nations;
The whale-road was wide     but his warriors still crossed it.
Gold came, and glory . . .     a good king that was!