“We should, however, approach Augustinian aesthetics not in medieval but in Reformation terms, taking account of the important new factor introduced by the Reformation — an overwhelming emphasis on the written word as the embodiment of divine truth. In this milieu the Christian poet is led to relate his work not to ineffable and intuited …
Deep Roots
“My contention [is] that the poetics of much seventeenth-century religious lyric derives primarily from Protestant assumptions about the poetry of the Bible and the nature of the spiritual life” (Lewalski, Protestant Poetics, p. 5)
From Donne to Taylor
“Specifically, my concern here is with the biblical, Protestant poetics informing a major strain of English seventeenth-century religious lyric: the chief characteristic of that poetics can, I suggest, be clearly discerned, and the history of the literary impact traced with some precision — from the quickening of Donne to the developing theory, to the exhaustion …
Delighted Piety
“From what has been said it will be clear that no one can point to a moment at which poetry began to be Metaphysical nor to a poet who made it so; but of all poets perhaps Guillaume de Salluste du Bartas (1544-90) comes nearest to that position. He was a Huguenot and all his …
Riding the Pale Horse
“The Anglican position, on the other hand, by freeing the prince from this strict dependence on scripture and yet making adherence to the prince’s church compulsory, leaves the religious life of every individual in bondage to political power. Whatever they say, even whatever they wish, the puritans are driven to put the Church above the …
Absurdly Maligned
“Never, I believe, were men so little understood and so absurdly maligned as the Puritans” (J.C. Ryle, Light From Old Times, p. xiv).
The Merry Puritans
“To [Cardinal Allen], as to all the Roman writers, Protestants were the very reverse of ‘puritans’: they were ‘soft physitions’ . . . against whom he must assert a doctrine admittedly sterner and darker, ‘the behoulding whereof must neades ingender som sorowe and sadnesse of minde’ and even (such is our ‘frailetie’) ‘a certaine bitter …
Somehow or Other
“Somehow or other during the latter part of the sixteenth century Englishmen learned to write” (C.S. Lewis, English Literature in the 16th Century, p. 418).
American Elizabethans
[Speaking of Nashe] “Its appeal is almost entirely to that taste for happy extravagance in language and triumphant impudence of tone, which the Elizabethans have, perhaps, bequeathed rather to their American than to their English descendants” (C.S. Lewis, English Literature in the 16th Century, p. 412).
The Greatness of Martin Marprelate
“Martin [Marprelate] himself had of course a serious intention and must, for all his motley, be regarded as a heroic figure. Nor have I any sympathy with those who make prim mouths at him for introducing scurrility into a theological debate, for debate was precisely what the bishops had suppressed. Those who refuse to let …