“Because the artistic community has its own eleventh commandment: Thou shalt grant federal funds to art that’s too intellectual for you to understand, you rube.” [Richard Grenier, Capturing The Culture (Washington, DC: Ethics and Public Policy Center, 1991), p. 320].
Thank You, Thank You
“‘Sentimentality,’ by definition, is an outpouring of false emotion—for sentimental people do not feel much genuine emotion, wallowing in substitutes. (‘You’re a wonderful audience; I love you all.’)” [Richard Grenier, Capturing The Culture (Washington, DC: Ethics and Public Policy Center, 1991), p. 313].
And This From An Industry That Specializes in Brazen Hypocrisies
“Low-cast Hindus, in short, suffered humiliations in their native India compared to which the carrying of identity cards in South Africa was almost trivial. In fact, Gandhi, to his credit, was to campaign strenuously in his later life for the reduction of caste barriers in India—a campaign almost invisible in the movie, of course, conveyed …
Well, Not Exactly
“A result of all this is that New York’s purveyors of high cinema art have chosen to import from France, Germany, Italy, or wherever, a hand-picked selection of those countries’ intimate, unconventional, or intellectually ambitious movies. There is certainly nothing wrong with a nothing-but-the-best policy for that American elite within the elite which enjoys foreign …
And It Appears To Have Worked
“A deviant from a Leninist (and even Marxist) point of view, Gramsci formulated in his Prison Notebooks the doctrine that those who want to change society must change man’s consciousness, and that in order to accomplish this they must first control the institutions by which that consciousness is formed: schools, universities, churches, and, perhaps above …
The Crowbar of Events
“One might expect that a minimal level of rationality would require artists seeking a ‘meaningful’ alternative society to judge it by the same standards by which they judge their own. But this, alas, is one of their most consistent failings. They judge our society by the flaws and inadequacies they see all about them. But …
When Artists Abandoned the People
“The simple fact is that, until the French Enlightenment, Romantic movement, and the American and French Revolutions of the eighteenth century, the artist saw himself as a celebrant of this society and all its values, which to him—if not to aesthetes of today—were noble and heroic.” [Richard Grenier, Capturing The Culture (Washington, DC: Ethics and …
Every Century But This, Every Country But His Own
“Ordinary Americans, frankly, resist such notions as best they can, but they receive little support from the nation’s professional intellectual class, of which the artistic class is only the most demented and most estranged. People in most cultures throughout history, after all, have historically ‘stuck with their own,’ been ‘ethnocentric,’ thought their own culture best. …
Cool Off the Rack
“Cool required no specialized knowledge. Cool could be bought (but hopefully not cheaply). Cool was hip plus demographics.” [John Seabrook, Nobrow (New York: Vintage Books, 2000), p. 188].
Mix and Match Identities
“When you say about a painting, a music video, or a pair of jeans, ‘I like this,’ you make some sort of judgment, but it’s not a judgment of quality. In Nobrow, judgments about which brand of jeans to wear are more like judgments of identity than quality. These judgments do not depend on knowledge …