“The simple fact is that, until the French Enlightenment, Romantic movement, and the American and French Revolutions of the eighteenth century, the artist saw himself as a celebrant of this society and all its values, which to him—if not to aesthetes of today—were noble and heroic.” [Richard Grenier, Capturing The Culture (Washington, DC: Ethics and Public Policy Center, 1991), pp. xxiii].
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