“And modern poetry is read by very few who are not themselves poets, professional critics, or teachers of literature” (C.S. Lewis, An Experiment in Criticism, p. 96).
Aesthetic Vulnerability
“We must risk being taken in, if we are to get anything. The best safeguard against bad literature is a full experience of good; just as a real and affectionate acquaintance with honest people gives a better protection against rogues than a habitual distrust of everyone” (C.S. Lewis, An Experiment in Criticism, p. 94).
Art Is Not A Tupperware Container for Truth
“It is this omnipresent flavour of feel that makes bad inventions so mawkish and suffocating, and good ones so tonic. The good ones allow us temporarily to share a sort of passionate sanity. And we may also—which is less important—expect to find in them many psychological truths and profound, at least profoundly felt, reflections. But …
Literary “Realism” Mistaken for an Argument
“Authors, restrained by our laws against obscenity—rather silly laws, it may be—from using half a dozen monosyllables, felt as if they were martyrs of science, like Galileo. To the objection ‘This is obscene’ or “This is depraved’, or even to the more critically relevant objection ‘This is uninteresting’, the reply ‘This occurs in real life’ …
Uptight Grammarians, Out With Whom We Do Not Wish to Hang
“I am thinking of what I call Style-mongers. On taking up a book, these people concentrate on what they call its ‘style’ or its ‘English’. They judge this neither by its sound nor by its power to communicate but by its conformity to certain arbitrary rules. Their reading is a perpetual witch hunt for Americanisms, …
It All Comes Down to the Point
“Every art is itself and not some other art. Every general principle we reach must, therefore, have a peculiar mode of application to each of the arts” (C.S. Lewis, An Experiment in Criticism, p. 28).
The Casual Imperative
“Casualness is proper at times, but the trouble is we have made it a fetish. Whether shopping or going to school or even to church, we take too literally the invitation of the second-class hotel, ‘Come as you are.’ And the sloppier we come, the sloppier we tend to act. A slouch in the body …
Inescapable Artistic Standards
“Until the artistic impulse is eradicated more thoroughly from human life than has so far been done, even by the best efforts of the metallic civilization of our day, we cannot get rid of the categories of good and bad or high and low in the field of art” (J. Gresham Machen, as quoted in …
Root and Fruit
“We must affirm then that at the deepest level there can be no mature Christian character which despises culture, any more than there can be a truly Christian culture which is not rooted in character” (Richard Taylor, A Return to Christian Culture, p. 17).
Which Should Be Obvious
“When Christ is the Molder of character we have Christian character; precisely, when Christ is the molder of culture we have Christian culture” (Richard Taylor, A Return to Christian Culture, p. 16).