“I must also leave you to analyze the cultural decline of Western art and literature. In the cycle of a great civilization, the artist begins as a priest and ends as a clown or buffoon” (Malcolm Muggeridge, The End of Christendom, p. 18).
His Canterburyness
“The last Archbishop of Canterbury but one, Dr. Ramsey, appeared not to realize this when, to my amazement, at the end of a performance of Godspell, he rose to his feet and shouted: ‘Long live God,’ which, as I reflected at the time, was like shouting, ‘Carry on eternity’ or ‘keep going infinity.’ The incident …
Believing Skepticism
“Next to this genius of Pascal’s words I would draw your attention to the beautiful lucidity of his mind, the wonderful clarity of his thought. Like all true believers, he was deeply skeptical” (Malcolm Muggeridge, The End of Christendom, p. 4).
The Silence of Live Meaning
“Never has there been a more hectic prodigality or specialized erudition—in literary studies, in musicology, in art history, in criticism, and in that most Byzantine of genres, the criticism and theory of criticism. Never have the metalanguages of the custodians flourished more, or with more arrogant jargon, around the silence of live meaning” (George Steiner, …
True “Soul”
“We are told, in tones of punitive hysteria, either that our culture is doomed—this being the Spenglerian model of rational apocalypse—or that it can be resuscitated only through a violent transfusion of those energies, of those styles of feeling, most representative of ‘third-world’ peoples. Theirs is true ‘soul,’ theirs the beauty of blackness and eros. …
Hell Made Immanent
“The concentration and death camps of the twentieth century, wherever they exist, under whatever regime, are Hell made immanent. They are the transference of Hell from below the earth to its surface. They are the deliberate enactment of a long, precise imagining.” (George Steiner, In Bluebeard’s Castle, p. 54).
Intensity as Sanctity
“Romantic ideals of love, notably the stress on incest, dramatize the belief that sexual extremism, the cultivation of the pathological, can restore personal existence to a full pitch of reality and somehow negate the gray world of middle-class fact . . . The artist becomes hero . . .” (George Steiner, In Bluebeard’s Castle, p. …
The Uber-Goober
“In Nietzsche, the ethic of transgression has been stripped of scenes of explicit sexual torture and destruction and raised to an alluring intellectual Valhalla of lyric philosophy. We have no evidence that Nietzsche ever read the divine marquis. Nevertheless, the philosopher of the Overman offers a modified product with enhanced appeal for some: Sade without …
And Lord Acton Knew His Onions
“The strong man with the dagger is followed by the weak man with the sponge” (Lord Acton, as quoted in Roger Shattuck, Forbidden Knowledge, p. 236).
Not Much Changes
“In its impact on people’s behavior and sense of ‘alienation’ and by its apparent sincerity of feeling, The Stranger came close to becoming the mid-twentieth century equivalent of Goethe’s best-selling The Sorrows of Young Werther (1774), which provoked hundreds of suicides all over Europe” (Roger Shattuck, Forbidden Knowledge, p. 161).