“A dying civilization, Christendom, on a swiftly moving, ebbing tide, clutches at any novelty in art and literature, ready to accept and then almost at once reject whatever is new no matter how perverse or abnormal. We have a ‘weariness with striving to be men,’ as the American critic Leslie Fiedler put it” (Malcolm Muggeridge, The End of Christendom, p. 20).
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