The Empty Space Above It All

“However, we have imposed a severe penalty on ourselves in the process: a terrifying sense that while all we have left is the self, the self unfortunately does not amount to too much. The passion of believing and the passion of being have now been replaced by the empty stare, the ironic posture.” [David Wells, …

Folks Who Don”t Get Out Much

“The spirit of pragmatic modernity, which likes to flaunt a sophisticated and cosmopolitan air, is really carrying on like a provincialist chronological hayseed. We are entirely taken with ourselves, and outside the village we all grew up in, everything is unknown; we are entirely lost — chronological rubes trying to pretend that the end of …

Redemption In A Bottle

“It is hard to miss the redemptive themes in the many dreamy scenes of sensuality that we have so often seen in perfume advertisements, scenes that waft across the viewing public with the promise of bodily regeneration, even renewed sexual attraction, if one simply purchases the product.” [David Wells, Losing Our Virtue (Grand Rapids, MI: …

Souls Without Gravity

“Thus the freedom to ‘be one’s self’ was soon held hostage to the views of others, the world of fashion, and the pressure of social trends. And without a clear sense of the self, the ability to deny the self began to weaken. Standards became blurry, and without a religious framework of meaning to give …

Despair Is Too Optimistic

“As Cornelius Van Til observed, moderns think they understand themselves. As becker’s writing evidences, even in their despair, they think that despair makes sense. But a man cannot even say, ‘Everything is senseless,’ without making sense; rebellious man is trapped in the world God made and not the world he can only partially and inconsistently …

Getting to Know You

“With some of our technologies, the encounters are superficial and we are engaged little. Others, however, intensify these relations. This is true of television, some of whose characters become more real to us than the people next door, for our contact with the person whose image we see is far more sustained, and perhaps far …