A Significant Omission

“It is not much of an exaggeration to say that music, as an issue of political consequence, vanishes in the political philosophy of early modernity. The intellectual architects of modern liberalism do not acknowledge the public significance of music’s power over the soul” [Carson Holloway, All Shook Up: Music, Passion, and Politics (Dallas: Spence Publishing, …

Are Rock and Blues Cousins?

“Thus, despite rock’s claim to have arisen from the blues, its character differs decisively from that of the older and, to Pattison’s mind, less vulgar genre. While rock deals with may of the same themes as the blues, sex and alcohol prominent among them, it approaches them with a ‘passionate intensity’ that naturally follows from …

Whole Lotta Shaking Goin” On

“Critic and defender, liberal and conservative, all utterly fail to grasp, first, the natural power of music itself—that is, music without words—to move the soul and , second, music’s consequent ability to aid or impede not only our question for a decent social order but also our striving for the goods in which we find …

The Answer to Idolatry

“One might say that irreverence, not blasphemy, is the ultimate answer to idolatry, which is why most cultures have established means by which irreverence may be expressed — in the theater, in jokes, in song, in political rhetoric, even in holidays” [Neil Postman, Technopoly (New York: Vintage Books, 1992), p. 167].