“Our doctrine always comes down to action, and that action reveals our true doctrine. We do not understand the relationship between fear, hunger and love. Our great problem is that we do not want enough from God. Ironically, we content ourselves with our discontents in the wilderness when before us a promised land awaits. Why …
A Much Needed Intrusion
“The nineteenth century made music into a kind of refined, cultural, almost pseudo-religious revelation of humanism, composed by the great heroes and prophets of mankind . . . Into this world burst jazz and blues” (H.R. Rookmaaker, Modern Art and the Death of a Culture, p. 186).
Love Hungry for Blessing
“Therefore, to understand the fear of the Lord rightly, learn to see that fear as love hungering for blessing” (The Case for Classical Christian Education, p. 224).
Why Modern Art Failed
“We may appreciate the efforts, and even admire the greatness, of men who have tried to find the universal, the general ‘behind’ appearances; yet at the same time their quest was doomed to fail, for all universals break down as soon as the Creator, He who made man in His image, is denied or left …
The Difference Attempts At Application Make
“Karl Marx was an intellectual who suffered misfortune because people tried to put his ideas into practice. Had Plao suffered the same misfortune, the world would still be talking about that totalitarian hellhole” (The Case for Classical Christian Education, p. 215).
Sacralized Sentimentalism
“It may seem strange that Christians fell victim to the optimistic, humanistic, ‘romantic’ vision of love—so much so that its last strongholds are probably within Christian circles” (H.R. Rookmaaker, Modern Art and the Death of a Culture, p. 78).
Can’t Fight Gas With Gas
“Pop evangelical sentiments, diffused in their normal gaseous way, are utterly inadequate for resisting the spirit of our age, which wants to seep into the unsuspecting school through every available crack” (The Case for Classical Christian Education, p. 208).
Art As Death Throes
“For the Enlightenment was to change the world. It is a period in which we today are still living, though at its end. Its aims have been fulfilled” (H.R. Rookmaaker, Modern Art and the Death of a Culture, p. 41).
No Frictionless World
“‘What would you do if everyone let you?’ is actually the same question as ‘what are you actually trying to accomplish?’ But such thought experiments are dangerouis because they require that we postulate a frictionless world, which is not the world we live in. Thus it is all too easy to drift off into utopian …
Not Just a Mirror
“Believing as I do that the arts in general are not merely a mirror reflecting social and cultural values, but are, on the contrary, powerful forces which shape and mould the way in which people live and behave (a view, incidentally, held by every major literary critic from Plato to T.S. Eliot), I have examined …