Category: Engaging the Culture

“Our uncertainty about what we are doing accounts for our desire that the Lord’s Supper be rare. We want to think that rarity makes the meal ‘special.’ In a distorted way, it does, but it has many harmful effects. A husband would not make love to his wife on a quarterly basis to keep the experience ‘special.’ A man would not have dinner with his family once a month to keep the event wonderful. Neither should we pull away from communion with Christ and His people to ‘drive the price up.’ We should pray for the opportunity to begin weekly Communion in our churches.”

The Cultural Mind, p. 191

“Augustine exhorted us somewhere to love God and do as we please. This makes us nervous, and more than a little bit jumpy. Of course the protection resides in the first clause—loving God affects what will please us. Psalm 37:4 says that if we delight in the Lord, He will give us the desires of our hearts. Taking delight in the Lord necessarily transforms what we consider delightful. Having said this, and having pointed to every necessary qualification, we cannot get away from the right hand of God and all the pleasures there (Ps. 16:11).”

The Cultural Mind, p. 189

“An inability to learn truth from beauty is not beauty’s problem.”

The Cultural Mind, p. 187

“Poetry today huddles in its prescribed little ghettos—the sentimentalism of greeting cards and cupboard poetry, the small clutch of arcane poetry journals with circulations of thirteen, self-absorbed adolescents scribbling pages of navel-gazing free verse, and nationally-ignored poet laureates. That about covers the world of poetry.”

The Cultural Mind, p. 185

“Our ability to get our words anywhere in the world within seconds, our ability to hit the remote when we are tired of what is happening in London and want to go to Hong Kong, our ability to see the world at a glance—all this creates an illusion of omniscience. This is strong wine for weak heads.”

The Cultural Mind, p 183

“The dishonesty of the whole endeavor is what causes conservative believers to adopt our classic and traditional tone—that of shrill—which we have used for so long it has almost become an art form among us. We have been cordoned off, and our response is to dance impatiently in place while heckling unbelief from our assigned place on the periphery.”

The Cultural Mind, p. 180