“But not all languages are equally musical. The musical-poetical language Rousseau discusses arose in the south, where the bountifulness of the climate made survival relatively easy. As a result, southern languages express the yearnings of the ‘heart,’ specifically the longing for romantic attachment to a person of the opposite sex” [Carson Holloway, All Shook Up: Music, Passion, and Politics (Dallas: Spence Publishing, 2001), p. 77].
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