“What they got—and by extension what the nation that supported them got—was something that completely surpassed their intentions, but a something which nonetheless substantiated the moral law in a way they could not have foreseen and which they probably would still not admit. To recapitulate the past forty years of film history, which was in its way a recapitulation of the past two hundred and fifty years of the Enlightenment: they wanted sex but got horror instead” (E. Michael Jones, Monsters from the Id, p. 243).
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