“There is nothing so absurd, wrote Macaulay in the middle of the nineteenth century, as the spectacle of the British public in one of its periodic fits of morality; but now the spectacle is sinister as well as absurd. To make up for its lack of a moral compass, the British public is prey to sudden gusts of kitschy sentimentality followed by vehement outrage, encouraged by the cheap and cynical sensationalism of its press. Spasms of self-righteousness are its substitute for the moral life” (Theodore Dalrymple, Our Culture, What’s Left of It, p. 251).
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