“As we’ve seen, obscenity is the preferred weapon of those willing to do anything to get a rise out of the public. The faces are black, but the strategy is European: Seek out a submerged, antisocial custom that is considered marginal even by its participants, drag it kicking and screaming to the surface, and celebrate it as ‘art’” (Martha Bayles, Hole in our Soul, pp. 352).
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