“As the much censored cartoonist Garry Trudeau has observed in ‘Doonesbury,’ a government-supported avant-garde is a contradiction in terms. The spectacle of supposedly bohemian, anti-establishment artists quivering with indignation and ranting with hysterical rhetoric at the prospect of not receiving money from the bourgeois establishment they attack in their art is glaringly hypocritical (also deliciously ironic).” [Gene Veith, State of the Arts (Wheaton, IL: Crossway Books, 1991), p. 99]
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