Different Costumes, Same Trick

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“In [Sinead] O’Connor, this shtick is touted as a pure product of her brooding Irish soul. In Nirvana, it is praised as a distillation of Seattle despair. In fact, it is a cliché of expressionist theater, passed down through performance art (via Yoko Ono) to punk” (Martha Bayles, Hole in our Soul, p. 318).

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