“As ideational and integral art are static in their inner nature, sensate art is vividly, even violently dynamic. The phenomena of the sensate world is always changing. Light and shadow vary, color and form shift in ceaseless flux. Human subjects, too, show incessant variation. The art must be dynamic simply to follow its subjects. Equally …
Art Goes to Seed
“In the sensate style, techniques become elaborate, complex, highly skilled, often showy. They are designed to impress, even to stun viewers. The means used to produce sensate art are varied and enormous in scope. Often a work’s mere size—its hugeness—passes for quality; the bigger a statue or building, the better it is thought to be. …
Integral Art
“In technique, integral art approaches perfection. Figures no longer are portrayed frontally. Statues come to life. The means of execution remain moderate but are used to marvelous effect. Though visual in form, the art continues, in the ideational tradition, to ignore the vulgar, the debasing, the ugly, the immoral, the eccentric. If something base appears …
Ideational Art
“Ideational art, speaking for its culture, represents a nonvisual world of transcendental realities lying beyond both reason and the senses. Its subjects are spiritual: Almighty God, the Divine Christ, the blessed Madonna, inspired apostles and saints, and, generally, the realm of intangible spiritual values” (B.G. Brander, Staring Into Chaos, p. 269).
Up to Our Chins in Sensate
“Drawing their data from encyclopedias, histories of art, and museum catalogs, from art journals, scholarly monographs, and other reference sources, the researchers listed art works by the scores of thousands. They classified each item according to its traits, whether ideational, integral, or sensate. Then Sorokin compared changes in the arts to the changes of cultural …
And Narrative Is All the Rage These Days
“MTV’s rock videos tend to be fragmented and surreal, with fast cuts, visual rhythms, and imagery that is striking but does not make a lot of sense. Country videos naturally tend to be narratives, reflecting the storytelling character of the music'” (Gene Edward Veith, Honky-Tonk Gospel, p. 165).
No Secular Sacred Divide in Bluegrass Anyway
“A similar mixture of sacred and secular numbers can be found on nearly every bluegrass album by nearly every performer. Contemporary bluegrass virtuoso — and country music crossover –Alison Krauss told a reporter, ‘I’m trying to remember a [bluegrass] band that doesn’t play gospel. I just can’t think of any.'” (Gene Edward Veith, Honky-Tonk Gospel, …
Perichoretic Singinng
“When people got together to play musical instruments, they also stood in a circle so they could hear each other and blend in—an act of communal, participatory music-making, not a performance before a passive, non-music-making audience. This is still the practice today when people come together to play bluegrass music” (Gene Edward Veith, Honky-Tonk Gospel, …
True Rejection of Hellenism
“Johnny Cash . . . lists in the liner notes to his album Unchained what he likes in music: I love songs about horses, railroads, land, judgment day, family, hard times, whiskey, courtship, marriage, adultery, separation, murder, war, prison, rambling, damnation, home, salvation, death, pride, humor, piety, rebellion, patriotism, larceny, determination, tragedy, rowdiness, heartbreak, and …
Whooda Thunk?
“In fact, statistics show country fans to be more educated than either adult contemporary or rock audiences. Thirty-six percent of country fans have a college degree, as opposed to 30 percent for adult contemporary and 22 percent for rock fans” (Gene Edward Veith, Honky-Tonk Gospel, p. 11).