The Crowbar of Events

“One might expect that a minimal level of rationality would require artists seeking a ‘meaningful’ alternative society to judge it by the same standards by which they judge their own. But this, alas, is one of their most consistent failings. They judge our society by the flaws and inadequacies they see all about them. But …

Schools for Show Poodles

“Far from teaching children to learn the nature of the world and how to occupy an appropriate station in it, they are what my daughter Rachel helpfully called classical schools for ‘show poodles.’ These schools make it easy for critics who oppose a truly superior Christian education (which necessarily includes the inculcation of humility) to …

When Artists Abandoned the People

“The simple fact is that, until the French Enlightenment, Romantic movement, and the American and French Revolutions of the eighteenth century, the artist saw himself as a celebrant of this society and all its values, which to him—if not to aesthetes of today—were noble and heroic.” [Richard Grenier, Capturing The Culture (Washington, DC: Ethics and …

Every Century But This, Every Country But His Own

“Ordinary Americans, frankly, resist such notions as best they can, but they receive little support from the nation’s professional intellectual class, of which the artistic class is only the most demented and most estranged. People in most cultures throughout history, after all, have historically ‘stuck with their own,’ been ‘ethnocentric,’ thought their own culture best. …

Inescapable Blasphemy Laws

“Every culture has blasphemy laws. They are not always called that, but no society allows citizens to rail against the reigning deity. In our pluralistic times, these blasphemy laws are called ‘hate crimes’ legislation, among other euphemisms, but they are really religious protections to keep the reigning god, demos, from being blasphemed” (The Case for …