This last week, after there was a comments pile-up here in the discussion of the Ligonier situation, a reasonable question was raised by David Bahnsen, which was, why have a comments feature at all? Ironically, my wife and I had just been talking about the same thing, and then after the question was raised here, …
Artistic Responsibility?
“In the highest aesthetic circles one now hears nothing about the artist’s duty to us. It is all about our duty to him. He owes us nothing: we owe him ‘recognition,’ even though he has never paid the slightest attention to our tastes, interests, or habits. If we don’t give it to him, our name …
Where You Been?
Ed Iverson is one of NSA’s faculty members and serves as the librarian of our Tyndale Library. In addition to these duties, as well as being a gracious Christian gentleman, he also writes a periodic column for the Moscow/Pullman Daily News. But the ongoing reaction to his column by our local lefties resembles a series …
Yay. More Troops.
I just finished looking over the premier issue of Salvo, and I commend it to you. A quarterly dedicated to a thoughtful engagement with the cultural follies that surround us on every side, this magazine is a welcome battalion of reinforcements in the culture wars. Check it out.
Sensate Hatred of Nobility
“The ripened sensate mentality of today, seeing human beings as no more than physical objects moved by instincts, reflexes, and drives, virtually disallows any attempt to raise them above the animal level. Genuine heroes are all by banned from literature and all but impossible for authors to create.” (B.G. Brander, Staring Into Chaos, pp. 300-301).
But What If Metaphor Is Ultimate Truth?
“But, at the same time, no one should nervously imagine that this critique of the Enlightenment proceeds from any relativistic postmodern nonsense. The modernist and postmodernist share this one thing in common: They both hold, at bottom, that metaphor is meaningless. The modernist goes off to find meaning somewhere else, suitably formulaic, and the postmodernist …
Special Effects, Dry Ice, and Lasers
“Instruments continued growing in size and complexity. Everything else about music grew as well, as colossalism transformed the art. Some theaters seated up to forty thousand people. In one play a thousand mules pranced about the stage. Concerts featured a hundred blaring trumpets, accompanying thousands of actors and acrobats. ‘Not being able to make it …
Metamorphing
“In our entertainment-crazed times, we have to take care not to use stories that have been transformed into something else. I call the process ‘metaphor-morphing,’ or ‘metamorphing’ for short. In this process the basic metaphors of story built into the world by God are reversed. For example, the serpent in the Garden was a dragon, …
Sensate Frenzy
“As ideational and integral art are static in their inner nature, sensate art is vividly, even violently dynamic. The phenomena of the sensate world is always changing. Light and shadow vary, color and form shift in ceaseless flux. Human subjects, too, show incessant variation. The art must be dynamic simply to follow its subjects. Equally …
Imagine That
“The Christian imagination is not icing for the cake of education. A true understanding of the imagination is at the center of all true education . . . Works of imagination are not the dessert of educaqtion; they are the meal. We have to get the students to master some basic details so that they …