The Deep Feels

“This poor woman’s poetry . . . was the kind of poetry that focused on how the poet felt. True, there was not much here to distinguish it from the vast watery sea of how all the other poets felt, but Taki-Smith had a peculiar genius for it. Her volume of verse that had won the Pulitzer Prize was not titled The Pale Parabola of Joy, but it might as well have been.”

Flags Out Front, pp. 124-125

So Let’s Call It the No Legal Footing Lock Down

Introduction: At the beginning of this month, I wrote about the scriptural understanding of quarantine. Take those principles as the base line. What we are currently doing does not line up with that description at all. As in, not even close. Better to be safe than sorry. And at least to me, it is interesting …

One of Our Bees Is Missing

Introduction: Now that we have sprayed the whole jungle with Agent Orange in order to find out if anything nefarious was going on in there, the answers are starting to come back. Not any more. Say that in your best Inspector Clouseau voice. Not any more. Now that we survey the damage, along with the …

Audio Reading of Post

Dantesque Lighting

“The ceiling of the room where the cocktail party was held was thickly covered with numerous chandeliers, the hotel ballroom kind of chandelier, and with all of them putting out the kind of light you might see at the lower wattage end of a brown out. The lights, however, were not flickering, which made you realize that somebody was doing it all on purpose. Despite the lighting, and perhaps because of it, the room was filled with major media figures, television personalities, editors and other detritus from the publishing world, a handful of decrepit rock stars, and throbbing electropop. Oom cha oom cha oom cha. Oh, and money. The room was full of money in very adult amounts, Manhattan scale, while the crackling envy and flirtation levels were all still stuck in junior high, Hoboken scale. The ‘atrocious lighting,’ as Dr. Tom summed it up, made it look like one of Dante’s circles done up in sepia tones.”

Flags Out Front, p. 114