“The later critics of modernity, Rousseau and Nietzsche, accepting the priority of passion but also seeing a need to reinvigorate it, resurrect the power of music, aiming to use it to inflame the passions and silence reason in the service of a new, more noble politics” [Carson Holloway, All Shook Up: Music, Passion, and Politics (Dallas: Spence Publishing, 2001), p. 20].
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