Musical Pornography

“To modulate the notes unceasingly from one key to another, as Wagner’s chromaticism did, was tantamount to blunting the emotional focus; to lead them away never to return to the dominant note gave the feeling of tumultuous and unsatisfied passion, a passion that never got resolved. From a human perspective, there was generally only one emotion that demand this sort of extension ad infinitum, and that was the sexual. The music that was the fullest expression of this modulation of emotion from key to key for hours on end with no resolution in sight had a lot in common with pornography. It was musical pornography and was having a sort of enervating, deranging, and debilitating effect on the audiences that heard it . . . The emotions were strained in one direction, and, before they could be resolved into the initial key, they headed off in the direction of another key to be strained again.” [E. Michael Jones, Dionysos Rising (San Francisco, CA: Ignatius Press, 1994), p. 43]