Tell Us What You Really Think, Martyn

“Lastly, and only lastly, Homiletics. This to me is almost an abomination. There are books bearing such titles as The Craft of Sermon Construction, and The Craft of Sermon Illustration. That is, to me, prostitution. Homiletics just comes in, but no more. What about preaching as such, the act of preaching of which I have …

Sexually Transmitted Dracula

“For instance, Coppola has Van Helsing mention the word syphilis, which is the book’s ultimate taboo, but the whole point of Dracula as monster is that neither Stoker nor Harker can mention syphilis. The monster is, in effect, the sign that neither Stoker nor Harker can bring themselves to face the true cause of their …

Those Pesky Logical Conclusions

“In other words, horror is a kind of Enlightenment revisionism. Voltaire hoped for a society where religion and morals were abolished but where shopkeepers would still be honest. Sade showed the naiveté of that vision by carrying the premises upon which it was based to their logical conclusion” (E. Michael Jones, Monsters from the Id, …

Blinded Me With Science

“The parallels between Justine [by de Sade] and Frankenstein become obvious at this point. Sexual desire using science as a cover turns human beings into objects by promoting the notion that morals are either ‘unscientific’ or are a mere epiphenomenon of the mechanism as yet not understood ” (E. Michael Jones, Monsters from the Id, …

Moral Dyslexia

“Mary Shelley, at this point in our narrative, did not understand all this, but by the time she had finished writing Frankenstein she did not see things Shelley’s way, either. She had by that time experienced the sadistic consequences of her sexual profligacy. Frankenstein was her attempt to make sense out of the conflict between …

Porn As Revolution

“The revolutionaries simply put to their own use the libido that Versailles had unleashed. Sade, who more explicitly than any other in France described and reveled in the link between pornography and political revolution, was not an aberration of eighteenth-century French culture, but the culmination of the French predilection for pornography” (E. Michael Jones, Monsters …