“Our mimetic rivals always seem superior to us” (Girard, A Theater of Desire, p. 93).
Reciprocity in Love
“The desire that speaks first puts itself on display and, as a result, can become a mimetic model for the desire that has not yet spoken. The displayed desire runs the risk of being copied rather than reciprocated. In order to desire someone who desires us, we must not imitate the offered desire, we must …
Hightailing It From the Truth
“Students of conflict devise many theories about the nature and origin of human discord without ever taking mimetic rivalry into account. If no human being is the culprit, then it must be an idea or perhaps some chemical substance — something fundamentally alien to what the friendship and the friends intrinsically are. They look for …
The Envy of the Hollow
“Like mimetic desire, envy subordinates a desired something to the someone who enjoys a privileged relationship with it. Envy covers the superior being that neither the someone nor something alone, but the conjunction of the two, seem to possess. Envy involuntarily testifies to a lack of being that puts the envious to shame, especially since …
Imitation Breeds Conflict
“Imitation does not merely draw people together, it pulls them apart. Paradoxically, it can do these two things simultaneously. Individuals who desire the same thing are united by something so powerful that, as long as they can share whatever they desire, they remain the best of friends; as soon as they cannot, they become the …
A Mother/Daughter Inversion
“The invention of science is not the reason that there are no longer witch-hunts, but the fact that there are no longer witch-hunts is the reason that science has been invented. The scientific spirit, like the spirit of enterprise in an economy, is a by-product of the profound action of the Gospel text” (Girard, The …
Lynch Mobs Used to be Invisible
“The failure of mythological genesis, in the case of the martyrs, makes it possible for historians to understand in a rational light for the first time and on a large scale the representations of persecution and their corresponding acts of violence. We come upon the crowds in the course of their mythopoetic activity, and it …
St. Peter Stumbles
“Like all deserters, Peter demonstrates the sincerity of his conversion by blaming his old friends” (Girard, The Scapegoat, p. 156).
The Veil Sometimes Slips
“Herodias and Caiaphas could be defined as living allegories of the rite that is forced to return to its nonritual origins, the undisguised murder, by the power of the revelation that forces it out of its religious and cultural hiding places” (Girard, The Scapegoat, p. 140).
Can’t Help Returning
“Derived from skadzein, which means to limp, skandalon designates the obstacle that both attracts and repels at the same time. The initial encounter with the stumbling block is so fascinating that one must always return to it, and each return becomes more fascinating” (Girard, The Scapegoat, p. 132).