“Where Tyndale is most continuously and obviously superior to More is in style. He is, beyond comparison, lighter, swifter, more economical . . . What we miss in Tyndale is the many-sidedness, the elbow-room of More’s mind; what we miss in More is the joyous, lyric quality of Tyndale. The sentences that stick to the mind from Tyndale’s works are half way to poetry . . . In Tyndale we breathe mountain air. Amid all More’s jokes I feel a melancholy in the background; amid all Tyndale’s severities there is something like laughter, that laughter which he speaks of as coming ‘form the low bottom of the heart.'” (C.S. Lewis, English Literature in the 16th Century, p. 192).
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