“At their most radical and pessimistic, all great playwrights, including Moliere and Racine, have more affinity for the enemies of the theater than for its pious friends. Their implacable genius rejects the self-serving platitudes of cultural idolatry. Great theater has never flourished except in periods when it was distrusted and ostracized” (Girard, A Theater of Envy, p. 159).
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